11 min readGuide
Design around the beads you already own
A repeatable palette workflow that turns a full-color conversion into a project you can actually shop for.
Example: a rainbow rocket begins with 14 mapped colors, then becomes a cleaner nine-color build by replacing two rare blues and one neon orange with owned substitutes.
10 min readGuide
Remove a background without damaging the subject
How to make a clean silhouette from a photo while protecting edge colors, holes, and transparent spaces.
Example: a white mug on a pale kitchen wall needs an outline checkpoint because automatic removal can erase the handle opening along with the wall.
10 min readGuide
Choose the right number of colors for the detail
A visual way to trade color variety against cost, readability, and the time it takes to sort a build.
Example: a 32 × 32 sunset badge reads best at 10 colors; 18 colors preserve cloud gradients but make the tiny sun and border less decisive.
6 min readCalculator
Plan a palette that is easy to sort
Estimate how much of your build belongs to each color family and spot rare colors before they become shopping blockers.
Example: a 1,200-bead koi uses a 55% orange body, 25% cream, 15% navy outline, and 5% black accents; the rare black pack deserves a spare check even though it is visually important.
10 min readGuide
Troubleshoot a pattern that looks fuzzy or muddy
A diagnosis tree for noisy edges, too many colors, lost contrast, and backgrounds that compete with the subject.
Example: a green houseplant becomes muddy because six nearly identical leaf colors compete with the pot; merging the leaves and strengthening the outline restores the shape.
11 min readGuide
Reduce colors without flattening the subject
Merge near-duplicate colors by role and contrast so the result becomes easier to sort while keeping the edges and focal features readable.
Example: a teal coffee cup starts with 18 sampled colors; merging highlights by lightness and keeping a dark handle edge produces an eight-color chart that still reads as ceramic.
10 min readGuide
Use dithering when it adds texture, not noise
Decide whether a controlled pattern of neighboring colors improves a small image, and know when to turn dithering off for a craft chart.
Example: ordered dithering gives a blue evening sky a calm transition on a 64-cell pixel scene, but the same pattern makes a 24-cell face look speckled and harder to place.
10 min readGuide
Choose a pixel palette that gives every color a job
Build a compact palette from contrast, temperature, and role instead of collecting swatches that look attractive but cannot work together in a grid.
Example: a night-garden icon uses eight colors—ink, deep blue, leaf, warm green, two flower tones, moon, and a quiet background—so the focal bloom remains legible at 32 cells.
11 min readGuide
Build respectful skin-tone palettes for small portraits
Use value steps, warm and cool shifts, and subject-specific observation without treating one fixed swatch list as a universal skin-tone answer.
Example: a 32-cell portrait keeps three skin values, one reflected cool shadow, and a separate hair outline; the face stays dimensional without claiming a person's appearance can be named by one color.
9 min readGuide
Make a pastel palette that still has readable edges
Keep a soft palette from turning into a low-contrast wash by reserving value anchors and checking adjacent colors on the actual grid.
Example: a lavender whale uses pale lilac and mint for the body, but a muted navy outline and warm cream background keep the fins visible after conversion to 28 cells.
10 min readGuide
Substitute bead colors without making brand claims
Create a transparent substitution plan from owned materials while separating a useful visual approximation from an unverified commercial color chart.
Example: a maker replaces an unavailable deep coral with an owned warm red after checking its contrast against cream and navy, and records the choice without calling it an exact brand match.
9 min readGuide
Understand what color distance can and cannot tell you
Use deterministic nearest-color calculations as a repeatable starting point while accounting for display, lighting, material, and perceptual limitations.
Example: two sRGB blues are mathematically close for a screen icon, but the darker bead looks visibly stronger under a warm lamp, so the maker keeps the contrast note beside the calculated result.